Giving Thanks (Alfred Hitchcock)
Written around Thanksgiving 2011 for artworks.org, the blog of the National Endowment for the Arts. We were asked to give …
Author Archives: Drew
Marta the Divine
Written in the Summer of 2011 to accompany a free reading of Tirso de Molina’s Marta the Divine, translated by …
Regnard Resurgent
Written in the Fall of 2011 for the publication of The Heir Apparent, David Ives’s “transladaptation” of La Légataire Universel, …
2 notes on Much Ado About Nothing
Written, respectively, in the Spring and Fall of 2011 for two very different productions, one at Yale School of Drama …
Notes on the Goat
Written in the Summer of 2010 for a lecture on Edward Albee’s The Goat (or, Who is Sylvia?) before a …
Fun & Games: Edward Albee’s Pop Art Theater
Written in the Fall of 2008 for a production of Who’s Afraid of Virginia Woolf? directed by Ethan McSweeny at …
What is Farce?
Written in the Fall of 2008 for a production of Thornton Wilder’s The Matchmaker, directed by Irene Lewis. -DL For …
The Painterly Theatrical Violence of Romeo Castellucci
Written in the Winter of 2007/2008 after seeing the much-bruited Castellucci’s uber-violent “post-dramatic” theater. I can still smell the lasers …
Trance of Death (Deep Trance Behavior in Potatoland)
Perhaps the most challenging piece I attempted in graduate school, written for Tom Sellar’s class. I look forward to reading …
“What is thought cannot be unthought”
An interview with Kevin O’Rourke for a production of The Physicists at the Williams Summer Theatre Lab. Those lucky kids …
Drew Lichtenberg 