The Comedies:
The Invention of Sex (MEASURE FOR MEASURE)
Topsy-Turvy, or the Feast of Epiphany (TWELFTH NIGHT)
Wanderlust (AS YOU LIKE IT)
2 notes on MUCH ADO ABOUT NOTHING
Shakespeare’s English Comedy (THE MERRY WIVES OF WINDSOR)
Bottomless Dream, or Palindromes and Palimpsests (A MIDSUMMER NIGHT’S DREAM)
Shrewd Ambiguities and Of Slys and Sheiks (THE TAMING OF THE SHREW)
Mysteries & Metamorphoses (TWO GENTLEMEN OF VERONA)
Divine Comedy (THE COMEDY OF ERRORS)

The Tragedies:
Double Meanings and Cycles of Violence (MACBETH)
The Beast With Two Backs (OTHELLO)
What Happens in HAMLET (with apologies to Dover Wilson)
The Birth of Modern Tragedy (ROMEO & JULIET)
The Lost Shakespeare Play (TIMON OF ATHENS)

The Histories:
The Body Politic (CORIOLANUS)
The Play of History  and Two Men and a Baby Prince (HENRY IV, PARTS 1 and 2)
The Theater of History (RICHARD III)

The Romances:
Brave New World (THE TEMPEST)
Doublings & Triplings (THE WINTER’S TALE)

Pastoral in Shakespeare:
Escape to the Forest of Arden: Dramaturg’s Notes

Pedagogy:
Irene & Tina

Season Intros:
Time and Place (2017-18)
The Classical Paradox (2016-17)
Rethinking the Canon (2015-16)
Theatrum Mundi (2014-15)
Private Stories, Public Lives (2013-14)

Literary Management:
Seasons Change
Dramaturgical Resolutions for the New Year
The ReDiscovery Series
Workshopping The Critic
Of Critics and Hounds
A Conference in Omaha
The Drew Lichtenberg Bucket List